Lectures

Tuesday 17th September at 10.45am

Lecturer: Christopher Chanter

The Rebuilding of the Town after Its Total Destruction in the Great War Wonderful before-WWI old photographs. Then the same buildings after destructon and the same now taken very recently. No library shots used, only original material including my own photographs used.

Tuesday 15th October at 10.45am

Lecturer: John Ericson

Their Belief, Architecture and Artefacts In this popular talk John tells the extraordinary story of the Shakers of North America, exploring their beginnings, what they believed and how they lived their lives before examining examples of their wonderful buildings and furniture. For it is only with such an understanding of their devout faith and way of life that we can begin to appreciate their intriguing legacy.

Tuesday 19th November at 10.30am prompt

Annual General Meeting followed by:

The Mary Glen Memorial Lecture

Lecturer: Sarah Dunant

In this illustrated lecture, Sarah Dunant, international bestselling novelist of the Italian renaissance, shares the secrets of her trade. To recreate the past as a living, breathing place, Sarah has visited churches, archives, museums and art galleries all over Italy. This is the story of her discoveries; how the decoding of old paintings alongside the work of the most modern historians helped her to penetrate hidden worlds inside the Renaissance, finding wonder and drama in ordinary lives and exploring the complexities of politics and religion along with emotion, the senses, and the heady appetites of body and soul.

Tuesday 21st January 2020 at 10.45am

Lecturer: Joanna Mabbutt

In June 1520 Henry VIII and Francis 1 meet to ratify an Anglo-French alliance and celebrate the betrothal of Henry’s daughter Mary to the Dauphin. The two handsome ‘Renaissance Princes’ are in their 20’s with similar reputations in military prowess, sport and patrons of the arts.  Both have imperial ambitions and are eager to display themselves as magnificent nobleman and warrior kings.  Each brings an entourage of 6,000 to a field south of Calais for 18 days of various events and entertainments staged to display the skill and splendour of each King and country.  The logistics of transporting, accommodating, ordering, feeding and watering, protecting and entertaining the English contingent for this spectacular event is staggering and the supply chain, often through the City of London Guilds, is equally fascinating. 3,217 horses shipped across the ‘Narrow Sea’ to Calais; a vast quantity of wood sourced from Flanders and floated along the coast; a huge temporary palace is built on stone foundations with brick and timber-framed walls reaching to 40 feet.  Royal palaces were virtually emptied of their silver, gold, tapestries and furniture to decorate the temporary palace, other principal tents and a chapel (with an organ); gold and silver cloth, velvet and sables, jewels and pearls were imported to ‘dress and impress’.

How was it all achieved?

Tuesday 18th February 2020 at 10.45am

Lecturer: Janusz Karczewski-Slowikowsk

The rise in importance of writing furniture from the 16^th to 18^th centuries reflected the economic as well as social need for  greater literacy and numeracy as mercantile trade developed across the globe.  This lecture traces the development of the bureau-bookcase and other writing furniture from the humble “writing slope “ or “Bible- box” through to magnificent symbols of status and power. Computers may have “hidden files” but lack the intrigue.

Tuesday 17th March 2020 at 10.45am

Lecturer: Julia Musgrave

Caravaggio’s paintings inspired many artists during his lifetime and would go on to influence many more, from Orazio Gentileschi to Peter Paul Rubens, Gerard van Honthorst and Rembrandt. Each absorbed a different aspect of his work. His style spread across Europe and gave rise to the international movement known as ‘Caravaggism’. Yet for many, Michelangelo Merisi da Caravaggio is famed as much for his art as for his criminal record. Was it the violence of his times or his own violent spirit that inspired the dramatic lighting and intense naturalism of his work? This lecture follows the dramatic incidents of the artist’s life and looks at why and how his influence spread so far.

Tuesday 21st April 2020 at 10.45am

Lecturer: Marie Conte-Helm

The story of Chinese blue-and-white porcelain speaks of the important trade between East and West along both the overland and maritime Silk Roads. The cobalt blue mineral, or ‘Mohammedan Blue’, that provided the distinctive under-glaze colour of Chinese blue-and-white porcelain owed its origins to China’s early trade with Persia. During the Ming Dynasty, the Chinese imperial kilns at Jingdezhen perfected the production of blue-and-white wares and thus extended the scope of China’s trade with the West. Oriental export porcelain has its own rich history, enhanced by tales of shipwrecks and lost cargoes, that hints of the fascination for these products from the East, that came to be adapted for Western markets. This lecture will trace the history of Chinese blue-and-white porcelain and the trade in export porcelain. It will also recount tales of salvaging operations that have resulted in the recovery of sunken treasures from the East. The ‘Nanking Cargo’ and the ‘Hoi An Hoard’ are but two examples of early shipwrecks in Eastern waters, the recovery of which have enhanced our understanding of blue-and-white porcelain and its wider commercial impact.

Tuesday 19th May 2020 at 10.45am

Lecturer: Charles Harris

“Mind the Gap” examines the world-beating graphics, designs, maps and posters created for the London Underground. From early days through the inventive inter-war years, this lecture is rammed with well-known artists and great stories. Modern London was shaped by the Underground. Tunnel Vision has never been so celebrated.

Tuesday 16th June 2020 at 10.45am

Lecturer: Pat Clark

The Scottish artist Charles H. Mackie (1862-1920) was a founder member of the Staithes Art Club. During his time in the area he gave painting lessons to the young Laura Johnson who, as Dame Laura Knight, acknowledged her debt to him. His own art encompassed oil, watercolour, woodblock prints, tooled leatherwork and sculpture. His travels ranged over Great Britain, France and Italy culminating in magnificent works painted in Venice. This exploration of his contribution to British art reveals his many facets as man, artist and teacher.

Tuesday 21st July 2020 at 10.45am

Lecturer: Matthew Williams

Portmeirion is an extraordinary surprise; a colourful and delightful fantasy village on the coast of north Wales.   Created from the 1920s by the remarkable architect Sir Clough Williams-Ellis, Portmeirion was his personal defiance against the advance of modernism and what he saw as the despoilment of Britain. By the 1950s it had become the playground of artists, intellectuals, aristocrats and the merely rich. Regular visitors included H G Wells, Bertand Russell and Noel Coward (who wrote Blithe Spirit at Portmeirion).

Sir Clough’s daughter Susan created Portmeirion Pottery, which during the 1960s and 70s, was synonymous with cutting-edge ceramic style. This lecture looks at the place, its architecture and associations.

Matthew also draws on some personal memories, as his uncle was Resident Director of Portmeirion for 30 years.